The collections
A bridal set and a daily chain are not the same object made at different scales. They are answers to different questions, and the workshop treats them that way.
By commission
Made once. Worn for a lifetime. Handed on after that.
A Nepali wedding asks a great deal of its jewellery. It must survive three days of ceremony, photograph well in low temple light, sit correctly under a sari, and then be worn again at every wedding that follows for the next forty years.
Enter the collection
By commission
For Tihar, for Teej, for the evenings that ask for a little more.
Festival jewellery has a different job to bridal. It is worn for one evening, photographed constantly, and needs to read from across a courtyard.
Enter the collection
By commission
The pieces you stop noticing, and then never take off.
The hardest jewellery to make well is the jewellery nobody remarks on. A chain that sits flat. A ring that clears a keyboard. An earring light enough to forget by lunch.
Enter the collection
By commission
Newar forms, kept honest.
The antique work draws on the temple metalwork of the Kathmandu valley — the repoussé, the deep oxidised relief, the motifs that predate every jeweller currently working on New Road.
Enter the collection